Lagos | PAINTING TODAY-CDMX:
fertile anachronism
Image Gonzalo Garcia
Situated Residency | Mexico City | August 2026
This four-week residency is a laboratory for pictorial excavation within the megalopolis; a deep immersion that displaces painting from the stretcher bar to the surrounding territory. Inspired by the structure of the stratum, CDMX becomes a "technique of representation" here.
In a world saturated with ephemeral images, this residency proposes painting as a device of slowness and depth, allowing one to excavate the symbolic geology of Mexico City.
The residency program is based on a creative methodology that involves group work, curatorial guidance, and visits to museums, galleries, and artists’ studios.
Image Luis Carrera-Maul
The Pillars of Displacement
-
The residency recognizes the weight of the walls that surround it. History is approached not as a chronology, but as raw material: understanding the painting as an accumulation of times (the time of the pigment, the time of Mexican art history, and the present time of the metropolis).
-
Painting does not happen solely on the canvas, but within the tension between the eye, the hand, and the city. It is a place where thought becomes matter.
-
The Persistence of the Image: Exploring why painting remains the medium par excellence to question reality, even (and especially) in the era of artificial intelligence.
Painting as action, installation, and residue: The physical limit of the artwork will be sought, understanding painting as an expanded field.
Painting on other materials: Understanding that other substrates exist outside the convention of acrylic, oil, or encaustic on canvas, such as ceramics, textiles, and objects, among others.
Participation, Open Call, and Selection 2026
Portfolio presentation.
Personalized curatorial accompaniment.
Special visits to museums, galleries, and independent spaces.
Dialogues with guest artists and curators.
Access to a shared studio.
Features on the lagos website and social media tracks.
Open Studio at the end of the residency.
Working Methodology: Study Cells and Curatorial Dialogues
The 15 artists will be grouped into three critical accompaniment processes, led by key figures who bridge theory with situated praxis:
The Skin of Time with olgaMargarita dávila
The Geology of the Image with Andrea Bustillos
The Overflowed Structure with Luis Manuel Perea
The methodology is creative, based on receptive and critical dialogues with an approach of respect and radical tenderness. Each tutor will be in charge of 5 participants, providing guidance throughout the residency.
The residency combines reflection, dialogue, creation, situated knowledge, and exchange through:
A. Historical mappings (The Thickness of Time): Visits to key museums in CDMX, such as the Museo Nacional de Arte, the Museo de Arte Moderno, and the Palacio de Bellas Artes.
B. Conceptual trends: Gallery visits and dialogues with artists and curators including the Karen Huber Gallery, Gonzalo García's studio, and a meeting with Guillermo Santamarina.
Note: Participating artists will have a shared studio at lagos | CDMX.
What does the Residency include?
Participants: 15 artists selected through an international open call.
Open Call Period: From June 8 to July 2, 2026.
Announcement of Results: July 4, 2026.
Residency Period: The entire month of August 2026.
The residency will take place with a minimum of 9 people.
Costs
Global South: $15,000 MXN
Global North: $20,000 MXN
A payment of $5,000 MXN must be made by July 6.
The total amount for the residency must be covered by August 3.
Each participant is responsible for their own airfare and accommodation.